Rue de Babylone Angle

  • Upholstery:Various Fabrics or Leathers
  • Dimensions:152.8cm W x 308.2cm D x 76cm H
  • Arm Height:63.8cm
  • Seat Height:38.5cm
  • COM:22m
  • COL:35.5sq.m

Available Upholstery

Images may not reflect custom selection.

Specifications

  • Brand:Man of Parts
  • Designer:Christophe Delcourt
  • Production:Made to Order
  • Customizable Finish:Available
  • Customizable Size:Available
  • Customizable Upholstery:Available
  • Product Certificates:CAL117
Brand Highlight

Man of Parts

MAN OF PARTS is a postnational design brand with inspiration from the world over. Furniture, lighting, accessories, fabrics and leathers reflect the varied inspirations and lives of globally-minded people. It also aims to match their desire for beautiful craft with a modern service experience to reflect how they define what luxury is today. Designs from Yabu Pushelberg, Sebastian Herkner, Philippe Malouin, Osvaldo Tenório and Victoria Wilmotte are crafted by makers in Europe and reflect an original but consistent approach; common traits among all are a mixture of postnational design cues, rich subtlety, soft organic minimalism and unexpected details. With a base in Germany and operations in Canada, MAN OF PARTS is as much of a global citizen as our clients.

Designer Highlight

Christophe Delcourt

French-born Christophe Delcourt graduated from Paris’ Cours Florent in 1988 and studied at the Theatre Ecole du Passage in 1989. Committed to designing furniture and objects, Delcourt opened his first studio in the Marais area of Paris in 1998.

Since then, he has designed for restaurants, hotels and boutiques and has exhibited furniture and lamps at Joyce Gallery in Paris. Over the past decade, his Paris-based firm has produced some of the most coveted and influential furniture of the new millennium.

Each piece bearing the Delcourt Collection stamp stands as testament to the integral relationship between the designer’s hand and the one of the craftsman: a French excellency which favors discretion over ostentatious effects, but has none the less become a true signature. Without ever relying on artifice, the hand lets the material speak. It tames its apparent rigor only to reveal its softness, the freedom, and versatility it offers, while preserving its unique character.

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